How to Make a Presentation Speech - Speech Training

Chapters 5 () and 6 () show how these different techniques work together in each of the Homeric poems. The first section of each chapter describes the speech presentation spectrum found in that poem, including the breakdown of different speech presentation techniques, different speech act types, and different move types. The characters in each poem show the same basic approach to speech presentation as the main narrator of that poem does. Differences in speech presentation in the two poems result from drawing on different parts of a stable set of functions and effects for a given speech presentation technique, not on using the same technique in completely different ways. Both chapters end with an extended analysis of speech presentation in a key aspect of the story of that particular poem. Chapter 5 discusses speech presentation for song in the ; Chapter 6 shows how fundamental speech presentation is for telling the story of Patroclus.

Award Presentation Speech - YouTube

The Nobel Peace Prize 1964 - Presentation Speech

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The first four chapters treat the four speech presentation techniques that make up the Homeric speech presentation spectrum. Each chapter begins with an overview of the basic properties and effects of a particular speech presentation technique, which includes how often and in what contexts that technique appears. These overviews analyze individual speech presentation techniques according to what kinds of speech acts they present, what kinds of moves they contain, and how they are distributed among various narrative levels. Typical examples illustrate these overall patterns. Each chapter ends with an in-depth analysis of examples of the technique that draw on common properties of that technique to create meaningful narrative effects connected to a key theme or story development. Thus, each chapter combines a broad overview of aggregate data patterns with detailed analysis of individual examples. This combination strives to present the enormous body of data that underlies this book in a way that is simultaneously broad, detailed, and manageable in scope. In these first four chapters, the and for the most part are not distinguished from one another.

The Nobel Peace Prize 2009 - Presentation Speech

My main interest is in what Homeric characters say and how the audiences of the poems gain access to those speeches. The speech-related phenomena that I did not include in my data have been left out because in various ways they do not provide access to what people in the poems are saying: the references omitted are either not about speech, or are not about presentation. The largest category of arguably speech-related references that I have not included, from a numerical standpoint, is presentation of thought. Thought presentation and speech presentation differ substantially, particularly in premodern literature. Accordingly, thought presentation does not appear in this study, although clearly there is fascinating work to be done comparing speech and thought presentation in Homeric poetry. Some Greek words depict events that might or might not be speech. For instance, I have not counted objects of the verb ??????? as speech presentation unless the context requires that understanding, since ??????? depicts a wide range of actions, many of which are nonverbal. The boundary between presenting speech and presenting action is regularly a hard one to draw, and this verb gives a particularly clear example of that.

Presentation Speech by Gunnar Jahn*, Chairman of the Nobel Committee on 10 December 1964
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Introduction To A Presentation Speech

The presence of an implied author points to a final benefit of the approach in this book, which is not a conclusion so much as a way of looking at the poems that I hope will contribute to the recent intellectual climate of seeing the Homeric epics both as orally based poetry and as fundamentally human and accessible forms of behavior. Both fictional storytelling and conversational interchange in the Homeric poems can be understood in ways that are similar to those applied to modern fictional narrative—namely the speech presentation spectrum and the implied author—and to the conversations of "real" people who are directly available for linguistic study. An overblown sense of Homeric epic as unique and inexplicable in literary history can stand in the way of understanding the poems. This has been particularly troublesome in relation to the tradition of oral poetry that underlies the Homeric epics. Despite important work showing the range and capacity of oral poetic traditions around the world, some scholars' minds have simply boggled at the idea that the Homeric epics could themselves be oral. Accordingly, some readers have abandoned the orality of the epics because they are undeniably subtle and complex fictional narratives. This is a pity, because a persuasive body of work shows that sophisticated aesthetics can exist in poetry that relies heavily on formulaic language. Similarly, theoretical frameworks for understanding speech presentation that have been developed for modern fictional narrative can profitably be applied to Homeric poetry to a greater extent than has been generally done, resulting in the insights that (for example) the poems do use unified speech presentational systems. In a broader sense, this both changes our idea of how Homeric poetry fits into the overall "storyline" of Western literature, and makes the poems themselves seem more intellectually accessible, insofar as we can use a modern theoretical construct to make sense of the product of an ancient and in some ways very alien oral poetic tradition.

Christine Williams Presentation Speech - 2011 CEGA Awards

Zoe Saldana's presentation speech for J.J

To deliver an effective presentation or speech, an individual has to take care of his communication and it has to be really impressive and effective. No one will really take the pains to listen to your ideas unless and until your communication is effective and impressive. Only speaking is not the solution, how you deliver your presentation or speech is more important and thus should be taken good care of.

Talking to a Large Audience - Presentation and Speech Tips

Howard Mann Award Presentation Speech

The data that underlie the majority of this book are collected in a FileMaker database that I constructed and then revised several times over a multi-year period. In hindsight, there are some features that I would have designed differently, and in spite of many iterations of careful editing and standardizing, I am sure that mistakes and inconsistencies remain. The database contains information about each presentation of speech in the or . The FileMaker format allows searches that not only tally a single feature, such as the number of speeches presented with direct quotation, but also collate multiple features of speech presentation, such as directives in indirect speech presented by the main narrator of the , or directives presented by characters except for those presented by Odysseus. For each speech presentation, the database includes the citation (work, book, starting and ending verse numbers); the length of the speech in verses based on the number of verses in which some part of the speech is presented; the narrative level at which the speech is presented (main narrator, character narrator, ambiguous between the two, third level of character narration); the names of the speaker and addressee of the speech, as well as their genders; the Greek word(s) of speaking that introduce or present the speech and the verse number(s) in which the words appear; for non-direct speech modes, any subordinate clauses depending on the verb of speaking; and the speech act type(s), subtype(s), and move type(s) of the speech. Speeches embedded within character speech collect most of this information a second time for the characteristics of the speech within which the speech is embedded.