Othello Thesis Statements (Out In The Agora)

To understand the characters in their positions, you must understand not only their personalities, but their motivations as well. Iago is a model for the ultimate villain because he operates on a self-styled level of morality, such that he never doubts his actions, however diabolical the actions seem to the audience. The rational person is capable of this emulation, for rationality is the ability to reason out a new and yet coherent order: a new order of values and beliefs that constitute his own system of morals. However, the question lies in what creates a villain like Iago; what turned Iago into a creature so bent on the destruction of Othello. When Othello promoted Cassio instead of Iago (I.i. 7–32), Othello inadvertently destroyed his pride and ambitions by passing over Iago so easily, especially for a soldier like Cassio, whom Iago feels is inferior to him. Iago is a person known as a "Machiavel"; someone who, adhering all too literally to the teachings of the political philosopher Machiavelli, lets nothing stand in his way in his quest for power. Iago's talent for understanding and manipulating the desires of those around him makes him both a powerful and a compelling figure. Iago is able to take the handkerchief from Emilia and know that he can deflect her questions; he is able to tell Othello of the handkerchief and know that Othello will not...

Othello Theme of Jealousy - Shmoop

bitter in rivalry.” The tragedy Othello focuses on the doom of Othello and the

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Cassio as his lieutenant; however, he ends up hurting others in the process.
whore” (V, ii, 227), stabs Emilia from behind, murdering her. Othello then

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The entire drama is Othello's story, though from the outset Iago takes the initiative, and seems to be the protagonist. The situation, however, has been created by Othello in every particular, and from this springs all the action or rather the reaction of Iago. By his action, previous to the opening of the play, Othello furnished the motive for lago, from which springs all his intrigue. It is only under the clever manipulation of Iago that Othello is put on the defence, from which he does not escape until near the close of the play. The real conflict of the play, then, is between Othello, with whom is joined Desdemona, on the one hand, and Iago, his ancient, on the other. From the outset, Othello is struggling with a situation which he inaugurated before the opening, of the play, and which grows more complex as the movement develops.

deception, Othello realizes the damage he has caused by believing Iago, which

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doom of Othello and the other major characters as a result of this jealousy. The

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